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A different kind of lighting for still and video with DSLR’s…

via Continuous Lights For Still & Video – Digital Photo Pro |

For me, I found it to be easier to choose a home and buy it, than it has been to try to choose decent, long-lasting studio/location monolights for photography!

How on Earth is one to make a decision?

I really had to walk away from the computer and stop looking at all the variables, and information and comments out there on this subject. It’s a very, very personal subject for many photographers. After all, it is the paintbrush one uses in photography. I know I like to have the best watercolor brushes I can afford to create my watercolor paintings.

I have been so busy for the last four days, yes—four days, researching studio lighting. Lighting that isn’t too much light, or too little for my needs. What do I need them for you ask? To shoot my watercolor paintings, so I can make giclées, to create unique fine art photographs, to shoot product, and stock photos, with the occasional studio style portrait, one or two people, head and shoulders, or outdoors with pets. The lights need to be portable. I’m not ready to get batteries to take them to the beach, but down the road I want that to be a possibility.

I’m looking at purchasing two monolights, total 1000ws or less for now. I want something I can grow into, rather than out of. That said, I talked to a few photographer friends, got their opinions and I headed off to check out what I could learn but doing research on the web. Good idea, and huge mistake. I am now, totally undecided.

By the way, I have only looked at opinions from buyers in comment sections at retailer sites, or at reputable photography forums and the like. I also watched a lot of the lighting demo video on the web made by some real pros, that helped me see many of the products in action. I checked my pro photo mags reviews and such too.

I have narrowed my choices down to Elinchrom, Photogenic and Calumet monolights, and the kits offered. There are many more great lights out there, but for me, these work. I did manage that much after reading as much info as I could absorb in my four days of research. Let me say first off, the kits that include the lights, umbrellas, stands and all, according to the comments and reviews I’ve read, leave people wanting more. They don’t seem totally satisfied with their purchases. Some portion of the kit is sub par in almost every case, and will need to be replaced. I also didn’t really want the umbrellas that most of the kits offered, I would replace them with octagonal and rectangular softboxes anyway.

So that leaves one to go out there and look for the best lights here, and the best softboxes there, and the best studio stands and backgrounds from over there. Now that’s all good too, but can you do it for a price close to that of the kits? Not really, but you can get close. Being a member of the National Association of Photoshop Professionals (NAPP) helps a lot here too. $99 a year, gets you a great informative magazine and access to product discounts, tutorials and way more. Info from Scott Kelby’s blog helped me a whole lot in this decision-making process too.

After about a good 30 to 40 hours of research, here’s what I’ve decided. I want something that has consistent color output, something that will last a long time, is durable, not too heavy, something that offers enough power, but not too much power for my space, and I want a decent modeling lamp, I read that 100 watts just doesn’t cut it. I do not want to be one of those that realizes about a month into the purchase that I should have spent that extra $500 bucks on what I really wanted, rather than settling for “affordable”. Nothing is a deal if you want to replace it six months after you buy it.

That decided, I went on to read about radio slave systems for the lighting, now I’m real interested. No cords for “Gracie” to trip over, that’s me, of course, ten years of ballet lessons and I’m still a klutz. It’s a good thing that all three of the manufacturers I looked at offer radio control of some kind.

One manufacturer offers a unit mounted on the hot shoe of your camera that apparently has too high a profile and it sticks up in your line of view. Remember now, this is according to consumer comments I came across. Range is another issue, I don’t need to shoot from 1500 feet away, or the next town over, so I think I’ll be good without that. So now I want to find the biggest bang for the buck in a quality, well-designed,  built in radio control unit, without having to buy more transmitters and transceivers, and adapter cords and so on. So, in my humble opinion, and for my needs, the EL-Skyport from Elinchrom wins for ease, design, and dollars. Although I do think the LiteLink radio option with the Calumet Travelite lighting is to be considered as well. It plays well with the PocketWizard too. Decisions, decisions.

I went on to look at the flash variability specs on these brands because it’s important to me to be able to have the widest range I can get because I plan to use these lights in lots of different scenarios. It seems to me that the Photogenic Solair wins in this category with the widest range. 8 f-stops. I really wish there were more comments and reviews from users out there about the Solair lights.

I then looked into how well each of the brands were for color consistency as one reduces the output of the light, according to the comments out there, even though I found a lot of people very happy with the Photogenic lights, many more were really happy with their Elinchrom Style 600RX lights. Again, I did find it hard to find a lot of comments and reviews about the Photogenic Solair lights. I don’t know why that is, but they do seem to be a contender. The “constant color” sounds so nice to me as I have spent hours with color correction people when working for clothing catalogs and doing color correction myself, and I know how long that process takes. I’d rather have my original shot consistently “right there” from the start, rather than having to spend hours in Photoshop “fixing the color”.

One more thing, the Photogenic Solair lights at 500ws weigh a little less than the Elinchrom Digital Style 600RX lights. Both are just under 6 lbs.

After vacillating back and forth, I’ve decided, I think, to buy the Elinchrom Digital Style Combo 600RX two monolight kit that includes only the lights, and EL-Skyport system.

Now on to the stands. There are millions, really just way too many! I like those rolling light stands, Avenger makes one called the “Baby Roller”.  Now this looks like one that ole “Gracie” might not be able to trip over. With the radio controlled lights, there will only be one wire, the plug. Yes! I chose the Avenger Century C stand for the other light. The C stand is another to keep “Gracie” out of trouble.

On to light control. I read that the Elinchrom Rotalux Octa softbox rocks, I also read that some don’t like it. It’s not too expensive so I think I’m going to get the Mini Octa softbox, which is a 39″ model. I also like the 14″ x 35″ Rotalux Mini Recta softbox from Elinchrom. I did learn that Chimera makes some fabulous light banks and when I’m able, monetarily, I’ll look into those too.

Reflectors are a necessary accessory too. I haven’t put any time in on researching them, that’s next. For now I will make due with white foam core and black cardboard.

Last decision….a good light meter. I really like the Sekonic L-358. Lots, and lots, and lots, of good comments out there about it. They say it’s accurate and reliable and well made. I’m sold. For fans of the PocketWizard, compatibility is easy. You can add an accessory that will let you fire your lights without removing your transmitter from the hot shoe of your camera each time you want to meter your lighting. The Sekonic looks like it’s fairly straight forward and intuitive to work with to me, and many buyers say the same. Now, when : ) I have an unlimited budget, I will go for the Sekonic L-758C Cine Light Meter, that’s really hot!

Oh and backgrounds, I think I’m going to go to Calumet for these, they have a good looking heavy duty stand for paper. I don’t have a space to use a wall mount or I would go for that. I did find stronger seeming background stands, but for my needs the stands Calumet offers should do just fine. Or maybe I’ll do a bit more research. I’m over it, but obsessed. For now, I think I’ve made my decisions, or I hope I have, until I run into a devastating comment regarding one of my choices, and the indecision will start again.

I just thought I should throw this out there for anyone else that might be suffering the anxiety associated with the purchase of a decent, quality lighting system and the necessary accessories. I really hope the time I put in can help others too!

And if any of you out there has anything to tell us all about this, go for it, we’re listening. Knowledge is Power!

Now back to doing what I love, enough research. I’ll let it all marinate for a few days.

Take care all!